To be honest, we could sit down for a couple of days and discuss mouthpieces. There are so many to choose from that really, you could own one for every week of the year. I have tried at least 30 over the years. Everything from Classical mouthpieces like the Selmer C* to Vandoren Metal Mouthpieces with the strange V shaped baffle (excellent for Yamaha horns) to the Russeau JDX7 (excellent hard rubber mouthpiece) to the Dukoff which is what I use now. What is most important is that the mouthpiece feels good in your mouth, that you get a good strong tone from it and that it works well with your saxophone.
There are a lot of things you can change on your horn set up to get a different tone but nothing will affect the tone more than your mouthpiece. The drastic differences you can achieve by changing the baffle on the inside or the tip opening or definitely between a hard rubber and a metal mouthpiece will surprise you. While one mouthpiece might work for you in one situation, you might choose a vastly different one for another. For instance, I would never play my bored out Dukoff 8M in a classical piece, it would just not be the right tone. I would play my hard rubber Selmer C** though, that would be the right piece for the tone I was after. I carry a hard rubber and a metal mouthpiece in my case at all times, as there might be a need for one, or the other.
For a beginner, it is really important to get a mouthpiece that is comfortable for you so try lots before you buy!
There are always new mouthpieces coming out and I admit I have run out and bought the newest, latest and greatest in the past without making sure that it will work well with the horn I want to play it on. For instance I bought a gold plated Vandoren piece once that was just great but for it to be in tune, it hung off the end of my neck and was almost impossible to play in tune because if you needed to pull out even a little bit to play on the flat side, there was just no neck to do it with so I was forced to take it back. In another case I bought a Bari mouthpiece. Loved it. Good full tone, great projection and very rich bottom end. Problem was, there was a lip on the inside of the piece that kept it from being pushed in past the half way point on my neck. I tried it in the store but my horn was warm and I didn’t have to push it in very far. The first time I had to play cold, I couldn’t get the horn to play in tune and I figured out why after a few times.
So, when you buy a mouthpiece, have the horn with you that you intend on using with the piece. Make sure you have access to a tuner. Get the horn up to temperature either by playing it or by letting it warm up in a room. Grab the tuner, stick the mouthpiece on your cork to the halfway point and play an F on the horn into the tuner. Is it in tune? Yes? Perfect. No? How much is it out of tune, if it is a lot, see how far you need to move the mouthpiece to be in tune. If the horn is warm, a mouthpiece that works should be somewhere within a half an inch from the middle of the cork on the mouthpiece to allow you the full potential of tuning if you need it.
Now try some different strength reeds. Can you play with a light reed on the piece? How about a hard reed? If you can get decent tones from both light reeds and hard reeds then it sounds like that will be a good mouthpiece for you to buy! Choose a reed for the mouthpiece by working with the hardest one that you can play with little effort. If it is too hard, you will not get a great tone, it will be too breathy and your mouth will not be able to hold the tone for long enough. If it is too soft you will squeak and squawk. Even if you end up with a 1.5 or even a 4, it all depends on the opening of the mouthpiece and the strength of your embouchure.
If you have a hard time finding something that works well, don’t worry, you will. keep working with what you have to strengthen your embouchure and keep trying new pieces until you find one that works for you!
Here is a list of mouthpiece makers and the saxophone players that use them, not complete by any stretch, but will give you an idea of what to ask for.
Name | Soprano | Alto | Tenor | Baritone |
Cannonball Adderley | Gregory 4 or 5, New York Meyer 5, Rico 2 or LaVoz Medium Reeds – King Super 20 alto | |||
Gerald Albright | Dukoff D7 | Metal Beechler 7 | Dukoff 7 | |
Justo Almario | Selmer D, Rico or Hemke Reeds | Metal Beechler 6, La Voz or Hemke Reeds | Metal Otto Link 8, Rico Reeds | |
Harold Ashby | Otto Link | |||
Gabe Baltazar | Lakey 4*3 or Beechler S8S | |||
Gato Barbieri | Metal Berg Larsen – Selmer Mk VI | |||
Gary Bartz | Vandoren A45 | |||
Bob Berg | Metal Selmer G | Metal Francios Louis, Rico Select or Medium LaVoz Reeds – Selmer MkVI | ||
Jerry Bergonzi | Super Gonz 1, Copper or Grenadilla (.110 tip), Rico Reeds | |||
Jay Beckenstein | Selmer C*, Van Doren #3 reeds | Beechler 6, Vandoren #3 Reeds | ||
Tim Berne | Rubber Berg Larsen 95/2, Vandoren Reeds | |||
Jane Ira Bloom | Metal Selmer D | |||
Hamiet Bluiett | RIA Medium / Lawton | |||
Arthur Blythe | Metal Berg Larsen 95/1, LaVoz Reeds | |||
Arthur Blythe | Metal Berg Larsen 95/1, LaVoz Reeds | |||
Arno Bornkamp | Selmer metal c**, Selmer S90 200, Mark VI | Vandoren AL3, Otto Link 5*, Ebonite, Buffet Crampon Prestige | Semer C*, Otto LInk Metal 7* Tone Master, Selmer MarkVII | |
Earl Bostic | Hard Rubber Beechler, Martin Committee Model | |||
Mike Brignola | Lawton 6 La Voz Medium Hard Reeds | |||
Nick Brignola | Runyon 7 | Runyon Bionix 8* | Runyon Bionix 8* | Lawton 8*BB |
Michael Brecker | Guardala 8 | Guardala Brecker Model, LaVoz Reeds – Selmer MkVI Tenor | ||
Nick Brignola | Runyon | |||
Don Byas | Metal Otto Link Florida Super Tone Master 3*, Rico 3 Reeds | |||
Ace Cannon | Rubber Berg Larson 80/1 | Rubber Berg Larson 90/1 | ||
Benny Carter | Arnold Brilhart Ebolin | |||
James Carter | Lawton Metal 7*BB, Rico Plasticover Reeds | |||
Pete Christlieb | Metal Berg Larsen 130/0, Rico Plasticover #2 Reeds – Selmer MkVI Tenor | |||
Clarence Clemons | Dukoff D9, D11 Rico Plasticover | |||
Arnett Cobb | Otto Link (9?) Rico Royal 3 | |||
Mark Colby | Selmer H | Hard Rubber Otto Link 8 | ||
George Coleman | Vandoren A25 | Meyer 5 | Otto Link 7* | |
Steve Coleman | Vandoren A55 – Vandoren Java 3 Reeds | |||
John Coltrane | Metal Selmer E | Metal Otto Link 5 star – Rico #4 Reeds | ||
Jay Corre | Berg Larsen 110 | |||
Hank Crawford | Barret Stock 5, LaVoz Medium Reeds | |||
Ronnie Cuber | Otto Link 8* | |||
Eddie Daniels | Metal Otto Link 7* – Selmer MkVI Tenor | |||
Jay Davidson | Dukoff | Guardala | Guardala MB | Berg Larsen |
Paul Desmond | Gregory 4A-18M Rico 3 1/2 Reeds – Selmer Super Balanced Action #43,xxx | |||
Dennis Diblasio | Lawton 8*B | Lawton 7*B | ||
Lou Donaldson | Meyer 5, Rico 2 Reeds | |||
Paquito D’Rivera | Otto Link 6 | Metal Selmer F, Rico 3 Reeds | ||
Candy Dulfer | Saxworks, Rico Jazz Select Medium filed Reeds | |||
Malcolm “Molly” Duncan (Average White Band) | Otto Link NY 7, Rico Jazz Select 3 or Van Doren Java 3 Reeds – Selmer Mk V1 (1957) | |||
Richard Elliott | Strathon 8*, Saxtech reeds, LA Sax | |||
Bill Evans | Guardala Studio Model, Vandoren Reeds – Selmer MkVI Tenor | |||
Herschel Evans | Otto Link “Master Link” | |||
Lawrence Feldman | Selmer D | NY Meyer 6 w/wedge | Otto Liink 7 – Selmer MkVI Tenor | |
Brandon Fields | Selmer E | Metal Beechler 8, Hard Rubber Berg Larsen 90/2 | Metal Florida Otto Link #7 – Selmer MkVI Tenor | |
Med Flory | Brilhart 5* | |||
Frank Foster | Yanigasawa 5 | Lawton 10*B | ||
Gary Foster | RPC 95F, Vandoren Java 2 1/2, Yamaha | Lawton 10*B | ||
Kenny Garrett | Selmer F Vandoren 3 Reeds | Selmer E Hemke 3 Reeds – Selmer MkVI | ||
Stan Getz | Otto Link 8* | |||
Dexter Gordon | Metal Selmer C* | Various Otto Links | ||
Kenny Gorlick | Dukoff metal D8, Hemke #2 1/2 Reeds | Beechler hard rubber S5S, Hemke #3 Reeds | RIA metal 5, Hemke #3 Reeds | |
Johnny Griffin | Metal Otto Link (.150 tip) LaVoz Medium Soft Reeds | |||
Jimmy Giuffre | Metal Berg Larsen 130/0 | |||
Scott Hamilton | Otto Link Super Tone Master, refaced to 12 – Selmer Super Balanced Action | |||
Craig Handy | Vandoren S25 | Berg Larsen 105/1 | ||
John Harle | Selmer Soloist B, Vandoren #3 Reeds | Selmer S-80 C*, Vandoren #3 Reeds, Meyer 5M, Rico Royal #3 Reeds | Selmer Solist B or S-80 C*, Vandoren #3 Reeds | |
Coleman Hawkins | Metal Otto Link | |||
Jimmy Heath | Selmer D, Marca Reeds | Hard Rubber Ron Coelho 105, Vandoren Reeds | ||
Joe Henderson | Semer Soloist D (Short Shank refaced to H or I?), LaVoz Medium Soft Reeds | |||
Vincent Herring | NY Meyer 5M Alexander Superial 3 1/2 Reeds Gold Plated Yanigisawa 991 | |||
Willis “Gator Tail” Jackson | Otto Link 12*, Rico Plasticover 4 Reeds | |||
Plas Johnson | Berg Larsen .160/2, Rico Plasticover 2 Reeds | |||
John Klemmer | Yanigasawa #7 | Metal ARB #7, LaVoz Medium Hard Reeds | Metal Brilhart Level-Air #5 | |
Dave Koz | Couf 8 | Metal Beechler 7 | Hard Rubber Berg Larsen | |
Steve Lacey | Otto Link 12 | |||
Oliver Lake | Selmer | RIA 7 | ||
Don Lamphere | Couf 7* | Couf 5* | Couf 8* | |
Dave Liebman | Sugal | Freddy Gregory | ||
Joe Lovano | Otto Link 9* | Ebony Francois Louis 10* Superial DC 3.5 & 4 and Classique Reeds Selmer Super Balanced Action, silver plated | ||
Joe Lulloff | Selmer S-80 C* | Selmer S-80 C**Meyer 5M Beechler 7 | Rousseau Otto Link | Selmer S-80D Berg Larsen |
Bob Malach | Metal Otto Link 8* – Selmer MkVI Tenor | |||
Eric Marienthal | Metal Beechler 8, Vandoren 3 Reeds | Metal Beechler 7 | Berg Larsen 110/2, Vandoren 3 Reeds – Selmer MkVI Tenor | |
Branford Marsalis | Bari | Branford Marsalis Guardala – Selmer MkVI Tenor | ||
Mel Martin | Peter Ponzol Classic #70 – Vandoren blue box reeds | Peter Ponzol Custom #85 | Peter Ponzol Custom #110 | |
Jackie McLean | Berg Larsen – Bari Reed | |||
Charles McPherson | Meyer 5 | Arbex 7* | ||
Bob Mintzer | Berg Larsen 95/0 | Hard Rubber Freddy Gregory – Selmer MkVI Tenor | ||
James Moody | RPC 150M, Rico Jazz Select 2H Baritone sax reeds | |||
Lanny Morgan | Selmer F w/Oleg ligature | |||
Gerry Mulligan | Gale 5 | |||
Tommy Newsom | Selmer S 80 | Leonard Gullota 5* | Brilhart 5* | Hard Rubber Otto Link 6 |
Dick Oatts | Wolf Tane 7 | Berg Larsen 90/2 | Otto Link 8 – Selmer MkVI Tenor | |
Scott Page | Hard Rubber Otto Link | |||
James Oppenhiem (Boney James) | Guardala King/R&B, Vandoren V16 3 1/2 reeds | |||
Charlie Parker | Brilhart 5? | |||
Maceo Parker | Brilhart Ebolin | |||
Ken Peplowski | Beechler 5 | Berg Larsen 110/0 | ||
Houston Person | Lawton 10 metal | |||
Lenny Pickett | Selmer C* | Meyer 5 | BergLarsen 130/0 SMS Vandoren Reeds – Selmer MkVI Tenor | Hard Rubber Berg Larsen 115/0 |
Courtney Pine | Freddie gregory Courtney Pine custom model – 110 tip – Vandoren 2 reeds | Lawton 11bb tip – Vandoren 2 1/2 reeds | Freddie Gregory Courtney Pine custom model – 120 tip – Vandoren 3 1/2 reeds | Lawton 11bb tip – Vandoren 2 reeds |
Bobby Porcelli | Meyer 6M Alexander Superial DC 3 1/2 | |||
Boots Randolph | Dukoff D9, La Voz Med Reeds | |||
Joshua Redman | Selmer Soloist Hard Rubber G,Vandoren 2 Reeds, Selmer Mark VI | Meyer New York USA 6 Hard Rubber, Vandoren 2 1/2 Reeds, Selmer Balanced Action |
Metal Otto Link 9* – Selmer Relacquered Super Balanced Action Tenor Saxophone(48,000) | |
Jerome Richardson | Selmer | Hard Rubber Otto Link | Metal Otto Link | |
Scott Robinson | Vandoren? | |||
Sonny Rollins | Berg Larsen 130/2 | |||
James Rotter | Selmer S-80 E Vandoren 4 Reeds, Selmer Mark VI | Selmer S-80 C** Vandoren 5 Reeds, Selmer Mark VI (gold plated) Note: Mr. Rotter uses #5 Vandorens as finished blanks and adjusts them significantly before playing |
Selmer S-80 C* “Soloist” Vandoren 5 Reeds, Selmer Mark VII | Selmer S-80 C** Vandoren 5 Reeds, Selmer Mark VI |
Marc Russo | Yanigisawa 9 | Meyer 6, Rico Plasticover Reeds | Dukoff D9 | |
David Sanborn | Dukoff D7, D9 | |||
Pharoh Sanders | Metal Selmer | Metal Selmer | ||
Tom Scott | Guardala Studio | |||
Andy Shepard | Bari | |||
Wayne Shorter | Hard Rubber Otto Link 10 | Hard Rubber Otto Link 10 – Selmer MkVI Tenor | ||
Lew Tabakin | Otto Link 6 – Rico #4 Reeds – Selmer MkVI Tenor | |||
James Umble | Selmer C* Morgan 3C Vandoren 3 1/2 Reeds | Selmer C* Vandoren 3 1/2 Reeds, Selmer Super Action 80 Series I, Winslow ligature | Selmer C* Vandoren 3 1/2 | |
Chris Vadala | Selmer C* | Meyer 7 | Otto Link 8 – Selmer MkVI Tenor | |
Junior Walker | Metal Lawton – Selmer Mk VI | |||
Bennie Wallace | Florida Otto Link Super Tone Master, Selmer MKVI Tenor, Rico Jazz Select reeds | |||
Sadao Watanabe | Meyer 5 | |||
Bobby Watson | Vandoren A35 | |||
Ernie Watts | Runyon 9 | Lawton 9*, Barone Metal | Metal Otto Link 13 – 160 tip, Keilworth Saxophone | |
Ben Webster | Metal Otto Link 9, Rico 3 1/2 Reeds | |||
Kirk Whalum | Dukoff 8* | Sugal, Keilwerth Black Nickel | ||
Edgar Winter | Brilhart Level Air 6 | Brilhart Level Air 6 | ||
Paul Winter | Selmer D, Winslow ligature, Vandoren #4 reeds – Selmer Mark VI | |||
Phil Woods | Meyer 5, La Voz medium reeds | |||
George Young | Beechler – Selmer Mk VI | |||
Lester Young | Otto Link “Master Link” |